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  • Fundamental Machine Learning
    • Foundational Work of ML: Linear/Logistic Regression
    • Early-stage of AI: Perceptron and ADALINE
    • What is Deep Learning?: Artificial Neural Network to Deep Neural Network
    • * Challenges in Training Nerual Network
  • Meta Learning
    • Overview on Meta Learning
    • Prototypical Networks for Few-shot Learning
    • Model-Agnostic Meta-Learning for Fast Adaptation of Deep Networks
  • Natural Language Process
    • Bag-of-Words
  • Actionale AI
    • * Overview on Actionable AI
  • Front-end Development
    • Overview on Front-end Development
    • Learning React Basic
      • React Component: How They are Rendered and Behave in Browser
      • State and Context: A Key Function to Operate the React Application
      • Design Pattern for Higher React Programming
  • Songwriting
    • A Comprehensive Guide to Creating Memorable Melodies through Motif and Phrasing
  • Sound Engineering
    • How to Install and Load Virtual Studio Instruments
    • A Guide to Audio Signal Chains and Gain Staging
    • Equalizer and Audible Frequency: How to Adjust Tone of the Signal
    • Dynamic Range: the Right Way to Compress your Sample
    • Acoustic Space Perception and Digital Reverberation: A Comprehensive Analysis of Sound Field Simulat
  • Musical Artistry
    • What is Artistry: in Perspective of Modern Pop/Indie Artists
    • Visualizing as Musical Context: Choose Your Aesthetic
    • Analysis on Modern Personal Myth and How to Create Your Own
    • Instagram Management: Business Approach to Your Social Account
  • Art Historiography
    • Importance of Art Historiography: Ugly and Beauty Across Time and Space
    • Post-internet Art, New Aesthetic and Post-Digital Art
    • Brutalism and Brutalist Architecture
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  1. Songwriting

A Comprehensive Guide to Creating Memorable Melodies through Motif and Phrasing

탑 라인 μž‘κ³‘(top-line composition)은 λ…Έλž˜μ˜ 보컬 νŒŒνŠΈμ™€ μ£Όμš” λ©œλ‘œλ””λ₯Ό μž‘κ³‘ν•˜κ³  λ°œμ „μ‹œν‚€λŠ” 창의적인 κ³Όμ •μž…λ‹ˆλ‹€. μ΄λŠ” λ©œλ‘œλ””μ˜ ꡬ쑰, 리듬, 그리고 μ „λ°˜μ μΈ μŒμ•…μ  흐름을 ν¬ν•¨ν•˜λ©°, κ°€μˆ˜μ˜ μŒμ—­λŒ€μ™€ ν‘œν˜„λ ₯을 μ΅œλŒ€ν•œ ν™œμš©ν•  수 μžˆλ„λ‘ μ„€κ³„λ©λ‹ˆλ‹€. 탑 라인 μž‘κ³‘μ€ μŒμ•… μ œμž‘μ˜ 핡심적인 λΆ€λΆ„μœΌλ‘œ, λ‹€μŒ μ„Έ κ°€μ§€ 핡심 μš”μ†Œλ‘œ κ΅¬μ„±λ©λ‹ˆλ‹€.

  • ꡬ간화와 λͺ¨ν‹°ν”„(phrasing and motif)λŠ” λ©œλ‘œλ””μ˜ νŒ¨ν„΄κ³Ό μŒμ•…μ  ꡬ쑰λ₯Ό λ‹€λ£Ήλ‹ˆλ‹€.

  • 보컬 연기와 μŠ€νƒ€μΌλ§(vocal acting and styling) 및 메이크업(makeup)은 λ©œλ‘œλ””μ˜ ν‘œν˜„κ³Ό 기ꡐ, μ „λ°˜μ μΈ 섀계λ₯Ό λ‹€λ£Ήλ‹ˆλ‹€.

  • μž‘μ‚¬(lyrics)λŠ” λ…Έλž˜μ˜ 가사λ₯Ό μž‘μ„±ν•˜λŠ” κ³Όμ •μž…λ‹ˆλ‹€.

탑 λΌμΈμ—μ„œ λͺ¨ν‹°ν”„와 ν”„λ ˆμ΄μ§•μ€ λ…Έλž˜μ˜ 핡심 μš”μ†Œμ΄λ©°, 이듀은 μ£Ό λ©œλ‘œλ””μ™€ κ°€μ‚¬μ˜ μž‘κ³‘ 과정을 κ΅¬μ„±ν•©λ‹ˆλ‹€. 이 두 μš”μ†ŒλŠ” 곑의 ꡬ쑰와 흐름을 κ²°μ •ν•˜λŠ” κΈ°μ΄ˆκ°€ λ©λ‹ˆλ‹€. μž‘κ³‘κ°€λŠ” 이λ₯Ό 톡해 μ²­μ€‘μ˜ 귀에 μ‰½κ²Œ κ°μΈλ˜λŠ” λ©œλ‘œλ””λ₯Ό λ§Œλ“€κ³ , κ°€μ‚¬μ˜ 의미λ₯Ό 효과적으둜 μ „λ‹¬ν•˜λŠ” ꡬ쑰λ₯Ό μ„€κ³„ν•©λ‹ˆλ‹€.

  • λͺ¨ν‹°ν”„λŠ” λ°˜λ³΅λ˜λŠ” 짧은 μŒμ•…μ  μ•„μ΄λ””μ–΄λ‘œ 곑의 νŠΉμ§•μ μΈ 성격을 λ§Œλ“­λ‹ˆλ‹€.

  • ν”„λ ˆμ΄μ§•μ€ μ΄λŸ¬ν•œ λͺ¨ν‹°ν”„듀을 μ²΄κ³„μ μœΌλ‘œ μ‘°μ§ν•˜μ—¬ 더 큰 μŒμ•…μ  λ¬Έμž₯으둜 λ°œμ „μ‹œν‚΅λ‹ˆλ‹€.

Motif: Basic Component of Top-lining

λͺ¨ν‹°ν”„(motif)λŠ” λ©œλ‘œλ””μ˜ μ§§κ³  반볡적인 νŒ¨ν„΄μœΌλ‘œ, 보톡 7개 μ΄ν•˜μ˜ μŒν‘œλ‘œ κ΅¬μ„±λ©λ‹ˆλ‹€. μ΄λŠ” 곑의 κΈ°λ³Έ ꡬ성 μš”μ†Œμ΄λ©° λ©œλ‘œλ””μ˜ 핡심 λ‹¨μœ„μž…λ‹ˆλ‹€.

  • λ°•μž λͺ¨ν‹°ν”„(rhythmic motif)λŠ” νŠΉμ • 리듬이 λ°˜λ³΅λ˜λŠ” νŒ¨ν„΄μ„ μ˜λ―Έν•©λ‹ˆλ‹€.

  • λ©œλ‘œλ”” λͺ¨ν‹°ν”„(melodic motif)λŠ” μΌμ •ν•œ 음의 μ—°μ†μ΄λ‚˜ μœ μ‚¬ν•œ 진행이 λ°˜λ³΅λ˜λŠ” ν˜•νƒœμž…λ‹ˆλ‹€.

  • ν™”μ„± λͺ¨ν‹°ν”„(harmonic motif)λŠ” 곑 μ „μ²΄μ—μ„œ λ°˜λ³΅λ˜λŠ” νŠΉμ§•μ μΈ ν™”μ„± νŒ¨ν„΄μž…λ‹ˆλ‹€.

쒋은 λͺ¨ν‹°ν”„μ˜ νŠΉμ§•

  • κ°„κ²°μ„±(shortness): μ§§κ³  κ°„κ²°ν•œ λͺ¨ν‹°ν”„λŠ” κΈ°μ–΅ν•˜κΈ° μ‰¬μš΄ 곑을 λ§Œλ“­λ‹ˆλ‹€.

  • 기얡에 λ‚¨μŒ(memorable): λͺ¨ν‹°ν”„λŠ” 청자의 기얡에 였래 남아야 ν•©λ‹ˆλ‹€.

  • 반볡 κ°€λŠ₯μ„±(repeatable): λͺ¨ν‹°ν”„λŠ” λ…Έλž˜ μ „λ°˜μ— 걸쳐 λ‹€μ–‘ν•œ ν˜•νƒœλ‘œ 반볡될 수 μžˆμ–΄μ•Ό ν•©λ‹ˆλ‹€.

  • μœ μ—°μ„±(flexible): λͺ¨ν‹°ν”„λŠ” λ ˆκ°€ν† , λ°•μž λ³€μ£Ό, 변이 등에 μ‰½κ²Œ 적용될 수 μžˆμ–΄μ•Ό ν•©λ‹ˆλ‹€.

Phrasing

κ΅¬μ ˆν™”(phrasing)λŠ” λ…Έλž˜μ˜ λ‹¨λ½μ΄λ‚˜ κ΅¬μ ˆμ— ν•΄λ‹Ήν•˜λŠ” κ΅¬κ°„μ˜ λ©œλ‘œλ”” λ˜λŠ” κ·Έ ν‘œν˜„μ„ λ§ν•©λ‹ˆλ‹€. μ΄λŠ” 크게 μ‹œμž‘, 쀑간, 마무리둜 λ‚˜λˆŒ 수 있으며, 주된 λͺ©ν‘œλŠ” λ©œλ‘œλ””κ°€ μžμ—°μŠ€λŸ¬μš΄ 흐름을 톡해 각 단계λ₯Ό κ±°μΉ˜λ„λ‘ ν•˜λŠ” κ²ƒμž…λ‹ˆλ‹€.

  • κ΅¬μ ˆμ€ νŠΉμ •ν•œ κ·œκ²©μ— λ§žμ•„μ•Ό ν•©λ‹ˆλ‹€. 이 규격 λ™μ•ˆ 곑의 μŒμ•…μ  아이디어가 μœ μ§€λ˜λ©°, 길이와 ꡬ성에 따라 λ‹€μ–‘ν•œ 감정을 ν‘œν˜„ν•  수 μžˆμŠ΅λ‹ˆλ‹€.

  • μ μ ˆν•œ 숨과 νœ΄μ‹μ„ 포함해야 ν•©λ‹ˆλ‹€. 잘 배치된 숨점과 νœ΄μ‹μ€ ꡬ절 κ°„ μžμ—°μŠ€λŸ¬μš΄ μ „ν™˜κ³Ό 해결감을 λ§Œλ“­λ‹ˆλ‹€.

  • κ΅¬μ ˆν™”λŠ” κΈ΄μž₯κ³Ό 이완, 해결감, 쒅지에 μ€‘μš”ν•œ 역할을 ν•©λ‹ˆλ‹€. 효과적인 κ΅¬μ ˆν™”λŠ” 곑의 μ „λ°˜μ μΈ ꡬ쑰와 흐름을 κ°œμ„ ν•©λ‹ˆλ‹€.

κ΅¬μ ˆμ„ λ§Œλ“œλŠ” μš”μ†Œλ“€

ꡬ절의 λ§ˆλ¬΄λ¦¬μ™€ μ‹œμž‘μ„ κ΅¬λΆ„ν•˜κΈ° μœ„ν•΄ λ‹€μŒ μ„Έ κ°€μ§€ 속성이 적용될 수 μžˆμŠ΅λ‹ˆλ‹€:

  • 숨점(breathing points): κ°€μˆ˜κ°€ μžμ—°μŠ€λŸ½κ²Œ μˆ¨μ„ μ‰¬κ±°λ‚˜ λ©ˆμΆ”λŠ” μ§€μ μž…λ‹ˆλ‹€.

  • μŒμ•…μ  윀곽(musical contour): μŒμ•…μ΄ μ›€μ§μ΄λŠ” 방식을 λ‚˜νƒ€λƒ…λ‹ˆλ‹€. 예λ₯Ό λ“€μ–΄, μƒμŠΉν•˜λŠ” ꡬ절 λ‹€μŒμ— ν•˜κ°•ν•˜λŠ” ꡬ절이 올 수 μžˆμŠ΅λ‹ˆλ‹€.

  • κΈ΄μž₯κ³Ό 이완(tension and release): λ©œλ‘œλ””λ₯Ό 톡해 λ§Œλ“€μ–΄μ§€λŠ” 해결감을 μ˜λ―Έν•©λ‹ˆλ‹€.

λͺ¨ν‹°ν”„와 ꡬ절의 관계

λͺ¨ν‹°ν”„λŠ” λ°˜λ³΅λ˜λŠ” μž‘μ€ μŒμ•…μ  μ•„μ΄λ””μ–΄λ‘œ, μ†Œμˆ˜μ˜ μŒν‘œμ™€ 리듬 νŒ¨ν„΄μœΌλ‘œ κ΅¬μ„±λ©λ‹ˆλ‹€. 반면 κ΅¬μ ˆμ€ μ΄λŸ¬ν•œ λͺ¨ν‹°ν”„듀이 λͺ¨μ—¬ μ΄λ£¨λŠ” 더 큰 λ‹¨μœ„μž…λ‹ˆλ‹€. 각각은 μ„œλ‘œ λ‹€λ₯Έ λ²”μœ„μ™€ 역할을 κ°€μ§€λ©°, μ‰½κ²Œ 말해 κ΅¬μ ˆμ€ μ „μ£Ό, ν›„λ ΄, 절 λ“± λ…Έλž˜μ˜ ν•œ 뢀뢄을 μž‘κ³‘ν•˜λŠ” 것을 μ˜λ―Έν•©λ‹ˆλ‹€.

  • λͺ¨ν‹°ν”„λŠ” 곑의 κ°€μž₯ κΈ°λ³Έ λ‹¨μœ„λ‘œ, 주제λ₯Ό μœ μ§€ν•˜κΈ° μœ„ν•΄ λ°˜λ³΅λ©λ‹ˆλ‹€.

  • κ΅¬μ ˆμ€ λͺ¨ν‹°ν”„λ₯Ό ν™•μž₯ν•˜μ—¬ 변주와 μ „κ°œλ₯Ό ν¬ν•¨ν•œ ν•˜λ‚˜μ˜ μ™„μ„±λœ 단락을 λ§Œλ“­λ‹ˆλ‹€.

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