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  • Fundamental Machine Learning
    • Foundational Work of ML: Linear/Logistic Regression
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    • What is Deep Learning?: Artificial Neural Network to Deep Neural Network
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  • Modern AI Systems: An In-depth Guide to Cutting-edge Technologies and Applications
  • Few Shot Learning
    • Overview on Meta Learning
    • Prototypical Networks for Few-shot Learning
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  • Natural Language Process
    • * Tokenization and Stemming, Lemmatization, Stop-word Removal: Core Fundamental of NLP
    • Bag-of-Words
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    • Overview on Front-end Development
    • Learning React Basic
      • React Component: How They are Rendered and Behave in Browser
      • State and Context: A Key Function to Operate the React Application
      • Design Pattern for Higher React Programming
  • Songwriting
    • A Comprehensive Guide to Creating Memorable Melodies through Motif and Phrasing
  • Sound Engineering
    • How to Install and Load Virtual Studio Instruments
    • A Guide to Audio Signal Chains and Gain Staging
    • Equalizer and Audible Frequency: How to Adjust Tone of the Signal
    • Dynamic Range: the Right Way to Compress your Sample
    • Acoustic Space Perception and Digital Reverberation: A Comprehensive Analysis of Sound Field Simulat
  • Musical Artistry
    • What is Artistry: in Perspective of Modern Pop/Indie Artists
    • Visualizing as Musical Context: Choose Your Aesthetic
    • Analysis on Modern Personal Myth and How to Create Your Own
    • Instagram Management: Business Approach to Your Social Account
  • Art Historiography
    • Importance of Art Historiography: Ugly and Beauty Across Time and Space
    • Post-internet Art, New Aesthetic and Post-Digital Art
    • Brutalism and Brutalist Architecture
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  1. Musical Artistry

Visualizing as Musical Context: Choose Your Aesthetic

์Œ์•…์—์„œ ์‹œ๊ฐ์ ์ธ ์š”์†Œ(visual element in music)๋ž€ ์Œ์•… ์ž‘ํ’ˆ์ด๋‚˜ ์•„ํ‹ฐ์ŠคํŠธ์˜ ํ‘œํ˜„๊ณผ ์ •์ฒด์„ฑ์„ ๋ณด์™„ํ•˜๊ณ  ๊ฐ•ํ™”ํ•˜๋Š” ๋ชจ๋“  ์‹œ๊ฐ์  ๊ตฌ์„ฑ ์š”์†Œ๋ฅผ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค. ์ด๋Š” ๋‹จ์ˆœํ•œ ์žฅ์‹์ด ์•„๋‹Œ, ์Œ์•…์  ๊ฒฝํ—˜์„ ํ’๋ถ€ํ•˜๊ฒŒ ๋งŒ๋“ค๊ณ  ์•„ํ‹ฐ์ŠคํŠธ์˜ ์˜ˆ์ˆ ์  ๋น„์ „์„ ์ „๋‹ฌํ•˜๋Š” ์ค‘์š”ํ•œ ํ‘œํ˜„ ์ˆ˜๋‹จ์œผ๋กœ ์ž‘์šฉํ•ฉ๋‹ˆ๋‹ค. ์‹œ๊ฐ์  ์š”์†Œ๋Š” ์ฒญ๊ฐ์  ๊ฒฝํ—˜๊ณผ ์ƒํ˜ธ์ž‘์šฉํ•˜๋ฉฐ, ์Œ์•…์˜ ๊ฐ์ •์ , ๋ฌธํ™”์  ๋งฅ๋ฝ์„ ๋”์šฑ ๊นŠ์ด ์žˆ๊ฒŒ ์ „๋‹ฌํ•˜๋Š” ์—ญํ• ์„ ํ•ฉ๋‹ˆ๋‹ค.

  • ์•จ๋ฒ” ์•„ํŠธ์™€ ๊ทธ๋ž˜ํ”ฝ ๋””์ž์ธ(album art and graphic design)

  • ๋ฌด๋Œ€ ๊ณต์—ฐ๊ณผ ๋ผ์ด๋ธŒ ๋ฏธํ•™(stage performance and live aesthetics)

  • ๋ฎค์ง ๋น„๋””์˜ค์™€ ์‹œ๋„ค๋งˆํ‹ฑ ์Šคํ† ๋ฆฌํ…”๋ง(music videos and cinematic storytelling)

  • ํŒจ์…˜๊ณผ ์•„ํ‹ฐ์ŠคํŠธ ๋ธŒ๋žœ๋”ฉ(fashion and artist branding)

  • ์ƒํ’ˆ ํŒ๋งค(merchandising)

  • SNS ๋งˆ์ผ€ํŒ…(SNS marketing/digital branding)

์ด์— ๊ด€ํ•œ ๋‹ค์–‘ํ•œ ์—ฐ๊ตฌ๊ฐ€ ์กด์žฌํ•ฉ๋‹ˆ๋‹ค. ์ด๋Ÿฌํ•œ ์—ฐ๊ตฌ๋“ค์€ ์ฃผ๋กœ ๋กœ๊ณ , ์•จ๋ฒ” ์ปค๋ฒ„, ํƒ€์ดํฌ๊ทธ๋ž˜ํ”ผ, ๋ฌด๋Œ€ ์„ค๊ณ„์™€ ๊ฐ™์€ ์‹œ๊ฐ์  ์š”์†Œ๋“ค์ด ์•„ํ‹ฐ์ŠคํŠธ์˜ ๋ธŒ๋žœ๋“œ์™€ ์ฒญ์ค‘์˜ ์ธ์‹์— ๋ฏธ์น˜๋Š” ์˜ํ–ฅ์„ ๋ถ„์„ํ•ฉ๋‹ˆ๋‹ค.

"The Role of Visual Identity in Music Perception" by Adrian Cheลฃan and Ioana Iancu

์Œ์•… ์ „๋ฌธ๊ฐ€๋“ค๊ณผ์˜ ๋ฉด๋‹ด์„ ํ†ตํ•ด ์‹œ๊ฐ์  ์š”์†Œ๊ฐ€ ์Œ์•… ์ธ์ง€์— ๋ฏธ์น˜๋Š” ์˜ํ–ฅ์„ ์กฐ์‚ฌํ–ˆ์Šต๋‹ˆ๋‹ค. ์‹œ๊ฐ์  ์š”์†Œ๋Š” ์Œ์•…์— ๋Œ€ํ•œ ์„ ํ˜ธ๋„, ํ’ˆ์งˆ ํ‰๊ฐ€, ๊ฐ์ •์  ๋ฐ˜์‘์— ํฐ ์˜ํ–ฅ์„ ๋ฏธ์น˜๋ฉฐ, ํ’๋ถ€ํ•œ ์‹œ๊ฐ์  ์ด๋ฏธ์ง€๋Š” ํฌํ™”๋œ ์Œ์•… ์‹œ์žฅ์—์„œ ์ง„์ •์„ฑ๊ณผ ์ฐจ๋ณ„์„ฑ์„ ์ œ๊ณตํ•ฉ๋‹ˆ๋‹ค.

"The Co-creation of Visual Artist Identities in the Music Industry" by Vilma Alina

์˜ˆ์ˆ ๊ฐ€ Vilma Alina์˜ ์‹œ๊ฐ์  ์ด๋ฏธ์ง€๋ฅผ ๋ถ„์„ํ•ฉ๋‹ˆ๋‹ค. ๊ทธ๋…€๋Š” ์‹œ๊ฐ์  ์ •์ฒด์„ฑ์„ ๊ตฌํ˜„ํ•˜๊ณ  ๋ฐœ์ „์‹œํ‚ค๋Š” ๊ณผ์ •์—์„œ ์ž์‹ ๋งŒ์˜ ์˜ˆ์ˆ ์  ๊ธฐ๊ต๊ฐ€ ๋ฐ˜์˜๋œ ์‹œ๊ฐ์  ์ฒด๊ณ„๋ฅผ ํ™•๋ฆฝํ–ˆ์Šต๋‹ˆ๋‹ค. ์Œ์•…๊ณผ ์‹œ๊ฐ์  ์ •์ฒด์„ฑ์„ ๋™์‹œ์— ๋ฐœ์ „์‹œํ‚ค๋Š” ์ด๋Ÿฌํ•œ ์ ‘๊ทผ์€ ๋ธŒ๋žœ๋“œ์˜ ์ผ๊ด€์„ฑ๊ณผ ์‚ฐ์—… ๊ฐ„ ์†Œํ†ต๋ ฅ์„ ํ–ฅ์ƒ์‹œ์ผฐ์Šต๋‹ˆ๋‹ค.

"On the Role of Visual Context in Enriching Music Representations" by Kleanthis Avramidis et al

๋ฎค์ง๋น„๋””์˜ค๋Š” ๋…ธ๋ž˜์˜ ์‹œ๊ฐ์  ๋งฅ๋ฝ์œผ๋กœ ์ž‘์šฉํ•˜๋ฉฐ, ์‹œ๊ฐ๊ณผ ์ฒญ๊ฐ์˜ ์ƒํ˜ธ๋ณด์™„์  ํ”„๋ ˆ์ž„์›Œํฌ๋ฅผ ํ†ตํ•ด ์Œ์•…์˜ ํ‘œํ˜„๋ ฅ์„ ๋†’์ž…๋‹ˆ๋‹ค. ์‹œ๊ฐ ์ •๋ณด๋Š” ์Œํ–ฅ์— ๋Œ€ํ•œ ์ดํ•ด๋„๋ฅผ ๋†’์ด๊ณ , ์Œ์•… ์ธ์ง€์— ํšจ๊ณผ์ ์ธ ์‹œ๊ฐ์  ๋ฌธ๋งฅ์œผ๋กœ ์ž‘์šฉํ•จ์„ ์‹œ์‚ฌํ•ฉ๋‹ˆ๋‹ค.

ํ˜„๋Œ€ ์Œ์•…์‚ฐ์—…์—์„œ ์‹œ๊ฐ์  ์š”์†Œ๋ฅผ ์Œ์•…์  ๊ธฐํ˜ธํ•™(music semiology)์˜ ๋ฒ”์ฃผ์— ํฌํ•จํ•˜๋„ ํ•ฉ๋‹ˆ๋‹ค. ์Œ์•…์  ๊ธฐํ˜ธํ•™์€ ์Œ์•…์ , ์‹œ๊ฐ์  ์š”์†Œ๋“ค์ด ํ•˜๋‚˜์˜ ์˜๋ฏธ๋ฅผ ์ „๋‹ฌํ•˜๋Š” ์‹ ํ˜ธ๋กœ์„œ ์ž‘๋™ํ•˜๋Š” ๋ฐฉ์‹์„ ์—ฐ๊ตฌํ•˜๋Š” ๋ถ„์•ผ์ž…๋‹ˆ๋‹ค.


Visual Identity and Branding

์Œ์•…์—์„œ ์‹œ๊ฐ์  ์ •์ฒด์„ฑ(visual identity in music)์€ ์Œ์•…๊ฐ€๋‚˜ ์Œ์•… ํ”„๋กœ์ ํŠธ๋ฅผ ์ •์˜ํ•˜๋Š” ์ƒ์ƒ๋ ฅ, ๋””์ž์ธ, ์Šคํƒ€์ผ์˜ ์ฒด๊ณ„์ž…๋‹ˆ๋‹ค. ์ด๋Š” ์Œ์•…์„ ์ฆ‰๊ฐ์ ์œผ๋กœ ์ธ์‹ํ•  ์ˆ˜ ์žˆ๊ฒŒ ํ•˜๋Š” ์‹œ๊ฐ์  ์–ธ์–ด๋กœ ๊ธฐ๋Šฅํ•ฉ๋‹ˆ๋‹ค.

  • ์ฆ‰๊ฐ์ ์ธ ๋ฐœ๊ฒฌ(instant recognition)

  • ์†Œ๋ฆฌ๋ฅผ ๋„˜์€ ์Šคํ† ๋ฆฌํ…”๋ง(storytelling beyond sound)

  • ํŒฌ์„ ์œ„ํ•œ ์ •์ฑ…์œผ๋กœ์จ์˜ ์‹œ๊ฐ์  ์ •์ฒด์„ฑ(fan engagement)

  • ์‚ฐ์—…์  ๋ธŒ๋žœ๋”ฉ(industry branding)

์Œ์•…์—์„œ ์‹œ๊ฐ์  ์ •์ฒด์„ฑ์„ ๊ตฌ์„ฑํ•˜๋Š” ์ฃผ์š”ํ•œ ์š”์†Œ๋“ค
  • ๋กœ๊ณ ์™€ ํƒ€์ดํฌ๊ทธ๋ž˜ํ”ผ

  • ์ƒ‰ ๊ณ„ํš

  • ์ƒ์ƒ๊ณผ ๋„์ƒํ•™

  • ์•จ๋ฒ” ์•„ํŠธ์™€ ํŒจํ‚ค์ง•

  • ๋ฎค์ง ๋น„๋””์˜ค์™€ ์˜์ƒ ์˜ˆ์ˆ 

  • ์ƒํ’ˆ๊ณผ ํŒจ์…˜

  • ๋ฌด๋Œ€ ๋””์ž์ธ๊ณผ ๊ณต์—ฐ ๋ฏธํ•™

How Artist Develop Their Visual Identity

๊ฐ•๋ ฅํ•œ ์‹œ๊ฐ์  ์ •์ฒด์„ฑ์€ ๋‹จ์ˆœํ•œ ์šฐ์—ฐ์ด๋‚˜ ์ฆ‰ํฅ์ ์ธ ๊ฒฐ์ •์œผ๋กœ ๋งŒ๋“ค์–ด์ง€์ง€ ์•Š์Šต๋‹ˆ๋‹ค. ์ด๋Š” ์Œ์•…์  ๊ธฐ๊ต์™€ ๋ธŒ๋žœ๋”ฉ ์ „๋žต, ๊ทธ๋ฆฌ๊ณ  ์†Œ๋น„์ž ์‹ฌ๋ฆฌํ•™์„ ์‹ฌ๋„ ์žˆ๊ฒŒ ์ดํ•ดํ•˜๊ณ  ์ •๊ตํ•˜๊ฒŒ ์กฐํ•ฉํ•˜๋Š” ๋ณต์žกํ•œ ๊ณผ์ •์„ ํ†ตํ•ด ํ˜•์„ฑ๋ฉ๋‹ˆ๋‹ค. ์ด๋Ÿฌํ•œ ์š”์†Œ๋“ค์„ ํšจ๊ณผ์ ์œผ๋กœ ๊ฒฐํ•ฉํ•  ๋•Œ ๋น„๋กœ์†Œ ์˜๋ฏธ ์žˆ๋Š” ์‹œ๊ฐ์  ์ •์ฒด์„ฑ์ด ํƒ„์ƒํ•˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.

  1. ์˜ˆ์ˆ ์  ํ•ต์‹ฌ(artistic core)์„ ์ •์˜ํ•ฉ๋‹ˆ๋‹ค. ์ฝ˜์…‰ํŠธ์™€ ํ…Œ๋งˆ๋ฅผ ๊ตฌ์ถ•ํ•˜๊ธฐ ์œ„ํ•ด ์ „๋‹ฌํ•˜๊ณ ์ž ํ•˜๋Š” ์ด์•ผ๊ธฐ์™€ ๊ฐ์ •์„ ๋ช…ํ™•ํžˆ ํ•˜๋ฉฐ, ์ด๋Š” ์•„ํ‹ฐ์ŠคํŠธ์˜ ์ง„์ •์„ฑ๊ณผ ์ฐฝ์˜์  ๋น„์ „์„ ๋ฐ˜์˜ํ•ด์•ผ ํ•ฉ๋‹ˆ๋‹ค. ์ด ๊ณผ์ •์—์„œ ์•„ํ‹ฐ์ŠคํŠธ์˜ ๊ฐœ์ธ์ ์ธ ๊ฒฝํ—˜๊ณผ ์˜ˆ์ˆ ์  ์˜๊ฐ์ด ์ค‘์š”ํ•œ ์—ญํ• ์„ ํ•ฉ๋‹ˆ๋‹ค.

  2. ์‹œ๊ฐ์  ์ •์ฒด์„ฑ์„ ๊ตฌ์ถ•ํ•˜๊ธฐ ์œ„ํ•ด์„œ๋Š” ์ „๋ฌธ์ ์ธ ์‹œ๊ฐ ์ฐฝ์ž‘ ๋Šฅ๋ ฅ์ด ํ•„์š”ํ•ฉ๋‹ˆ๋‹ค. ์ด๋ฅผ ์œ„ํ•ด ๊ทธ๋ž˜ํ”ฝ ๋””์ž์ด๋„ˆ, ๊ฐ๋…, ์‚ฌ์ง„์ž‘๊ฐ€ ๋“ฑ ๊ฐ ๋ถ„์•ผ์˜ ์ „๋ฌธ๊ฐ€๋“ค๊ณผ์˜ ๊ธด๋ฐ€ํ•œ ํ˜‘์—…์ด ํ•„์ˆ˜์ ์ž…๋‹ˆ๋‹ค. ์ด๋“ค์˜ ์ „๋ฌธ์„ฑ๊ณผ ์ฐฝ์˜์  input์€ ์•„ํ‹ฐ์ŠคํŠธ์˜ ๋น„์ „์„ ์‹œ๊ฐ์ ์œผ๋กœ ๊ตฌํ˜„ํ•˜๋Š” ๋ฐ ํ•ต์‹ฌ์ ์ธ ์—ญํ• ์„ ํ•ฉ๋‹ˆ๋‹ค.

  3. ๋กœ๊ณ ์™€ ํƒ€์ดํฌ๊ทธ๋ž˜ํ”ผ, ์ƒ‰์ฑ„ ๊ณ„ํš, ๋ฐ˜๋ณต์  ์ด๋ฏธ์ง€ ๋“ฑ ํ•ต์‹ฌ ์‹œ๊ฐ ์š”์†Œ๋ฅผ ์ฒด๊ณ„์ ์œผ๋กœ ๊ฐœ๋ฐœํ•ฉ๋‹ˆ๋‹ค. ์ด ๊ณผ์ •์—์„œ๋Š” ๊ฐ ์š”์†Œ๊ฐ€ ์„œ๋กœ ์กฐํ™”๋กญ๊ฒŒ ์ž‘์šฉํ•˜๋ฉด์„œ๋„ ๋…ํŠนํ•œ ๊ฐœ์„ฑ์„ ํ‘œํ˜„ํ•  ์ˆ˜ ์žˆ๋„๋ก ์„ธ์‹ฌํ•œ ์ฃผ์˜๋ฅผ ๊ธฐ์šธ์—ฌ์•ผ ํ•ฉ๋‹ˆ๋‹ค.

    1. ์ด๋ฅผ ๋ฐ”ํƒ•์œผ๋กœ ๋‹ค์–‘ํ•œ ํ”Œ๋žซํผ์—์„œ ์ผ๊ด€๋œ ์‹œ๊ฐ์  ์ •์ฒด์„ฑ์„ ์œ ์ง€ํ•˜๊ธฐ ์œ„ํ•œ ์ƒ์„ธํ•œ ์ง€์นจ์„ ์ˆ˜๋ฆฝํ•˜๋ฉฐ, ์ด๋Š” ๋””์ง€ํ„ธ ๋ฏธ๋””์–ด๋ถ€ํ„ฐ ์‹ค๋ฌผ ์ œ์ž‘๋ฌผ๊นŒ์ง€ ๋ชจ๋“  ์˜์—ญ์— ์ ์šฉ๋ฉ๋‹ˆ๋‹ค.

  4. ์ด๋Ÿฌํ•œ ์‹œ๊ฐ์  ์ •์ฒด์„ฑ์€ ๊ณ ์ •๋œ ๊ฒƒ์ด ์•„๋‹Œ ์ง€์†์ ์œผ๋กœ ๋ฐœ์ „ํ•˜๊ณ  ์ง„ํ™”ํ•˜๋Š” ๊ณผ์ •์ž…๋‹ˆ๋‹ค. ์‹œ๋Œ€์˜ ๋ณ€ํ™”์™€ ์ฒญ์ค‘์˜ ๋ฐ˜์‘, ๊ทธ๋ฆฌ๊ณ  ์•„ํ‹ฐ์ŠคํŠธ์˜ ์˜ˆ์ˆ ์  ์„ฑ์žฅ์— ๋”ฐ๋ผ ์œ ์—ฐํ•˜๊ฒŒ ์ ์‘ํ•˜๊ณ  ๋ฐœ์ „ํ•ด ๋‚˜๊ฐ€์•ผ ํ•ฉ๋‹ˆ๋‹ค.

์‹คํŒจํ•œ ์‹œ๊ฐ์  ์ •์ฒด์„ฑ์˜ ์‹ ํ˜ธ๋“ค

์ทจ์•ฝํ•˜๊ฑฐ๋‚˜ ์ผ๊ด€์„ฑ ์—†๋Š” ์‹œ๊ฐ์  ์ •์ฒด์„ฑ์€ ์ฒญ์ค‘์—๊ฒŒ ํ˜ผ๋ž€์„ ์ฃผ๊ณ , ๋ธŒ๋žœ๋“œ ๊ฐ€์น˜๋ฅผ ์•ฝํ™”์‹œํ‚ค๋ฉฐ ์Œ์•…์˜ ์ธ์ƒ์„ ํฌ๋ฏธํ•˜๊ฒŒ ๋งŒ๋“ญ๋‹ˆ๋‹ค.

  • ์กฐํ™”์˜ ๋ถ€์กฑ(lack of cohesion): ์ผ๊ด€๋˜์ง€ ์•Š์€ ์ƒ‰๊ณผ ํฐํŠธ, ์Šคํƒ€์ผ์„ ๋งํ•ฉ๋‹ˆ๋‹ค. ์ด๋Š” ๋ธŒ๋žœ๋“œ ์ธ์‹์„ ์–ด๋ ต๊ฒŒ ๋งŒ๋“ค๊ณ  ์ „๋ฌธ์„ฑ์ด ๊ฒฐ์—ฌ๋œ ์ธ์ƒ์„ ์ค๋‹ˆ๋‹ค.

  • ์ง€๋‚˜์น˜๊ฒŒ ๋ณดํŽธ์ ์ด๊ณ  ์œ ํ–‰์— ์ซ“๊น€(generic or trend-chasing): ๋‹ค๋ฅธ ์ž‘๊ฐ€์˜ ์Šคํƒ€์ผ์„ ๋”ฐ๋ผํ•˜๊ฑฐ๋‚˜ ๋„ˆ๋ฌด ๋ณดํŽธ์ ์ธ ํ™”์ƒ ๋“ฑ์„ ๋งํ•ฉ๋‹ˆ๋‹ค. ๊ฒฐ๊ณผ์ ์œผ๋กœ ๋…์ฐฝ์„ฑ์ด ์—†์–ด ๋ณด์ด๋ฉฐ ์•„ํ‹ฐ์ŠคํŠธ์˜ ๋…ํŠนํ•œ ๊ฐ€์น˜๋ฅผ ์ „๋‹ฌํ•˜์ง€ ๋ชปํ•ฉ๋‹ˆ๋‹ค.

  • ์Œ์•…๊ณผ์˜ ๋น„์ •๋ ฌ(misaligned with music): ์Œ์•…๊ณผ ๊ทธ ์ •์ฒด์„ฑ์ด ์ ˆ๋Œ€ ํฌ์„๋  ์ˆ˜ ์—†๋Š” ์ƒ์„ฑ์„ ๊ณ ๋ คํ•˜์ง€ ๋ชปํ•œ ์ƒํ™ฉ์„ ๋งํ•ฉ๋‹ˆ๋‹ค. ์ด๋Š” ์ฒญ์ค‘์—๊ฒŒ ํ˜ผ๋ž€์„ ์ฃผ๊ณ  ์•„ํ‹ฐ์ŠคํŠธ์˜ ์ง„์ •์„ฑ์— ์˜๋ฌธ์„ ์ œ๊ธฐํ•˜๊ฒŒ ๋งŒ๋“ญ๋‹ˆ๋‹ค.

  • ๋‚ฎ์€ ์™„์„ฑ๋„(poor execution): ์•„๋ฌด๋ฆฌ ์ข‹์€ ์ฒญ์‚ฌ์ง„์ด ์žˆ๋”๋ผ๋„ ๋‚ฎ์€ ํ€„๋ฆฌํ‹ฐ์˜ ๊ทธ๋ž˜ํ”ฝ๊ณผ ์•„๋งˆ์ถ”์–ด์ ์ธ ๋””์ž์ธ์€ ๊ทธ ์ •์ฒด์„ฑ ์ž์ฒด์˜ ์งˆ์— ํฐ ๋ฌธ์ œ๋ฅผ ์ค๋‹ˆ๋‹ค. ์ด๋Š” ์ „๋ฐ˜์ ์ธ ๋ธŒ๋žœ๋“œ ๊ฐ€์น˜๋ฅผ ๋–จ์–ด๋œจ๋ฆฌ๊ณ  ํˆฌ์ž์™€ ํ˜‘์—… ๊ธฐํšŒ๋ฅผ ์ œํ•œํ•ฉ๋‹ˆ๋‹ค.

  • ์ง€๋‚˜์น˜๊ฒŒ ๋ณต์žกํ•˜๊ฑฐ๋‚˜ ํ˜ผ๋ž€์Šค๋Ÿฌ์›€(overcomplicated or confusing): ๋„ˆ๋ฌด ๋งŽ์€ ์ถฉ๋Œ์  ์š”์†Œ ๋˜๋Š” ๋ณต์žกํ•œ ์„ค๋ช…์œผ๋กœ ์ธํ•ด ํ•ต์‹ฌ ๋ฉ”์‹œ์ง€๊ฐ€ ํฌ์„๋˜๊ณ  ์ฒญ์ค‘์˜ ๊ด€์‹ฌ๊ณผ ์ง‘์ค‘๋„๊ฐ€ ๋–จ์–ด์ง‘๋‹ˆ๋‹ค.

  • ์ง„ํ™”์˜ ๋ถ€์žฌ(no evolution): ์•„๋ฌด๋Ÿฐ ํ˜์‹  ์—†์ด ๊ฐ™์€ ์ •์ฒด์„ฑ์„ ๊ฐ€์ง€๋ฉด ์ฒญ์ค‘์„ ์งˆ๋ฆฌ๊ฒŒ ๋งŒ๋“ค๊ณ , ๊ฒฐ๊ณผ์ ์œผ๋กœ ํŒฌ๋“ค์˜ ์ดํƒˆ๊ณผ ์ƒˆ๋กœ์šด ์ฒญ์ค‘ ์œ ์ž…์˜ ๊ฐ์†Œ๋กœ ์ด์–ด์ง‘๋‹ˆ๋‹ค.

์Œ์•…์—์„œ ์‹œ๊ฐ์  ์ •์ฒด์„ฑ์˜ ์‹คํŒจ ๋ฐ ์„ฑ๊ณต ์˜ˆ์‹œ

์Œ์•… ์‚ฐ์—…์—์„œ ์‹œ๊ฐ์  ์ •์ฒด์„ฑ์˜ ๋Œ€ํ‘œ์ ์ธ ์„ฑ๊ณต๊ณผ ์‹คํŒจ ์‚ฌ๋ก€๋กœ Travis Scott์˜ Astroworld์™€ Katy Perry์˜ Witness Era๋ฅผ ๋“ค ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.

  • Katy Perry์˜ Witness Era

    • ํ™”๋ คํ–ˆ๋˜ ๊ธฐ์กด์˜ ํŒ ์Šคํƒ€์ผ์—์„œ ๋ฏธ๋‹ˆ๋ฉ€ํ•œ ์Šคํƒ€์ผ๋กœ์˜ ์ „ํ™˜์ด ๊ฐ‘์ž‘์Šค๋Ÿฝ๊ณ  ์„ค๋“๋ ฅ์ด ๋ถ€์กฑํ–ˆ์œผ๋ฉฐ, ์˜ˆ์ˆ ์  ๋ฐœ์ „์ด ๋ณด์ด์ง€ ์•Š์•˜์Šต๋‹ˆ๋‹ค.

  • Travis Scott์˜ Astroworld

    • ๋†€์ด๊ณต์›์— ๋Œ€ํ•œ ํ–ฅ์ˆ˜๋ฅผ ํšจ๊ณผ์ ์œผ๋กœ ํ™œ์šฉํ–ˆ์Šต๋‹ˆ๋‹ค.

    • ํˆฌ์–ด ๊ณต์—ฐ, ์•จ๋ฒ” ์ปค๋ฒ„ ๋“ฑ์—์„œ ๋†€์ด๊ณต์›์˜ ์ด๋ฏธ์ง€๋ฅผ ์ผ๊ด€๋˜๊ฒŒ ํ‘œํ˜„ํ–ˆ์Šต๋‹ˆ๋‹ค.

Branding in Music: Crafting an Artistโ€™s Identity

์Œ์•…์  ๊ธฐ๊ต๋กœ์จ์˜ ๋ธŒ๋žœ๋”ฉ(branding as musical artistry)์ด๋ž€ ์˜ˆ์ˆ ๊ฐ€์˜ ์ด๋ฏธ์ง€, ์†Œ๋ฆฌ, ํŽ˜๋ฅด์†Œ๋‚˜๋ฅผ ์ „๋žต์ ์œผ๋กœ ๊ฐœ๋ฐœํ•˜๋Š” ๊ฒƒ์„ ์˜๋ฏธํ•ฉ๋‹ˆ๋‹ค. ์ด๋Š” ๊ฐ•๋ ฅํ•œ ์ธ์ƒ๊ณผ ์ธ์ง€๋„, ๊ทธ๋ฆฌ๊ณ  ๋งˆ์ผ€ํŒ… ๊ฐ€๋Šฅํ•œ ์ •์ฒด์„ฑ์„ ๊ตฌ์ถ•ํ•˜๋Š” ๊ฒƒ์„ ๋ชฉํ‘œ๋กœ ํ•ฉ๋‹ˆ๋‹ค. ์ด๋ฅผ ํ†ตํ•ด ํŒฌ๋“ค์€ ์‹œ๊ฐ์  ์š”์†Œ, ๊ฐ์„ฑ, ๊ฐ€์น˜๊ด€์„ ํ†ตํ•ด ์˜ˆ์ˆ ๊ฐ€์™€ ์—ฐ๊ฒฐ๋˜๋ฉฐ, ๋•Œ๋กœ๋Š” ์Œ์•…์„ ๋“ฃ๊ธฐ ์ „์—๋„ ํŒฌ์ด ๋˜๊ธฐ๋„ ํ•ฉ๋‹ˆ๋‹ค.

  • ์‹œ๊ฐ์  ์ •์ฒด์„ฑ(visual identity): ๋กœ๊ณ , ์ƒ‰์ƒ, ๋””์ž์ธ ์–ธ์–ด๋ฅผ ํ†ตํ•ด ์•„ํ‹ฐ์ŠคํŠธ์˜ ๋…ํŠนํ•œ ๋ธŒ๋žœ๋“œ๋ฅผ ๊ตฌ์ถ•ํ•ฉ๋‹ˆ๋‹ค.

  • ์†Œ๋ฆฌ์™€ ์žฅ๋ฅด(sound and genre): ์Œ์•…์  ํŠน์„ฑ๊ณผ ์žฅ๋ฅด๋ฅผ ํ†ตํ•ด ์ฐจ๋ณ„ํ™”๋œ ์ฒญ๊ฐ์  ์ •์ฒด์„ฑ์„ ํ™•๋ฆฝํ•ฉ๋‹ˆ๋‹ค.

  • ํŽ˜๋ฅด์†Œ๋‚˜์™€ ์Šคํ† ๋ฆฌํ…”๋ง(persona and storytelling): ์•„ํ‹ฐ์ŠคํŠธ์˜ ๊ฐœ์„ฑ๊ณผ ๋‚ด๋Ÿฌํ‹ฐ๋ธŒ๋ฅผ ํ†ตํ•ด ํŒฌ๋“ค๊ณผ ๊ฐ์ •์  ์—ฐ๊ฒฐ์„ ํ˜•์„ฑํ•ฉ๋‹ˆ๋‹ค.

  • ์ฒญ์ค‘์˜ ์ฐธ์—ฌ(audience engagement): SNS, ํŒฌ๋ฏธํŒ…, ์ฝ˜ํ…์ธ ๋ฅผ ํ†ตํ•ด ํŒฌ๋“ค๊ณผ ์ ๊ทน์ ์œผ๋กœ ์†Œํ†ตํ•ฉ๋‹ˆ๋‹ค.

  • ์‚ฐ์—…๊ฐ„ ํ˜‘์—…(cross-industry collaboration): ํŒจ์…˜, ๊ธฐ์ˆ , ์—”ํ„ฐํ…Œ์ธ๋จผํŠธ ๋“ฑ ๋‹ค์–‘ํ•œ ๋ถ„์•ผ์™€์˜ ์ „๋žต์  ํŒŒํŠธ๋„ˆ์‹ญ์„ ๊ตฌ์ถ•ํ•ฉ๋‹ˆ๋‹ค.

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