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    • Brutalism and Brutalist Architecture
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  1. Art Historiography

Brutalism and Brutalist Architecture

๋ธŒ๋ฃจํƒˆ๋ฆฌ์ŠคํŠธ ๊ฑด์ถ•(brutalist architecture)๋Š” ์ „์Ÿ ์ดํ›„์ธ 50s์— ์˜๊ตญ์—์„œ ์‹œ์ž‘๋œ ๊ฑด์ถ• ์–‘์‹์ž…๋‹ˆ๋‹ค. ๋ธŒ๋ฃจํƒˆ๋ฆฌ์ŠคํŠธ ๊ฑด์ถ•๋ฌผ์€ ๋Œ€๊ฐœ ๋ฏธ๋‹ˆ๋ฉ€ํ•œ ๊ตฌ์กฐ๋ฅผ ํŠน์ง•์œผ๋กœ ํ•˜๋ฉฐ, ์žฅ์‹๋ณด๋‹ค๋Š” ๊ฑด์ถ• ์ž์žฌ์™€ ๊ตฌ์กฐ์  ์š”์†Œ ์ž์ฒด๋ฅผ ํ‘œํ˜„ ์ˆ˜๋‹จ์œผ๋กœ ํ™œ์šฉํ•ฉ๋‹ˆ๋‹ค. ๋…ธ์ถœ ์ฝ˜ํฌ๋ฆฌํŠธ๋‚˜ ํŽ˜์ธํŠธ์น ํ•˜์ง€ ์•Š์€ ๋ฒฝ๋Œ, ๊ฐ์ง„ ๊ตฌ์กฐ, ๋ชจ๋…ธํฌ๋กฌ์˜ ์ƒ‰ ํŒ”๋ ˆํŠธ๊ฐ€ ์ฃผ์š” ํŠน์ง•์ž…๋‹ˆ๋‹ค.

  • ๋ธŒ๋ฃจํƒˆ๋ฆฌ์ฆ˜์€ ๋‹จ์ˆœํ•œ ๊ฑด์ถ• ์–‘์‹์ด ์•„๋‹Œ ๊ฑด์ถ• ์„ค๊ณ„์— ๋Œ€ํ•œ ์ฒ ํ•™์  ์ ‘๊ทผ์ž…๋‹ˆ๋‹ค. ์ด๋Š” ๊ฑด๋ฌผ์˜ ๋ณธ์งˆ์  ๋ชฉ์ ์ธ ์ฃผ๊ฑฐ์ง€์ด์ž ์žฅ์†Œ๋กœ์„œ์˜ ์—ญํ• ์„ ์ˆ˜์šฉํ•˜๋ฉฐ, ๊ฐ„๊ฒฐํ•˜๊ณ  ์ง„์ •์„ฑ ์žˆ๋Š” ๊ธฐ๋Šฅ์  ๊ฑด์ถ•๋ฌผ์„ ๋งŒ๋“ค๊ธฐ ์œ„ํ•จ์ž…๋‹ˆ๋‹ค.

  • ํ”ผํ„ฐ ์Šค๋ฏธ์Šจ์€ ๋‹จ์ˆœํžˆ ์ฝ˜ํฌ๋ฆฌํŠธ๋ฅผ ์‚ฌ์šฉํ•˜๋Š” ๊ฒƒ์„ ๋„˜์–ด ๊ฑด์ถ• ์žฌ๋ฃŒ ์ž์ฒด์˜ ๋ณธ์งˆ์  ํŠน์„ฑ์„ ๋ธŒ๋ฃจํƒˆ๋ฆฌ์ฆ˜์˜ ํ•ต์‹ฌ์œผ๋กœ ๊ผฝ์•˜์Šต๋‹ˆ๋‹ค. ๊ทธ๋Š” ๊ฑด์ถ•๋ฌผ์ด ์‚ฌ์šฉ๋œ ์žฌ๋ฃŒ์˜ ์ˆœ์ˆ˜ํ•œ ํŠน์„ฑ์„ ๋ณด์—ฌ์ค˜์•ผ ํ•œ๋‹ค๊ณ  ์„ค๋ช…ํ–ˆ์Šต๋‹ˆ๋‹ค. ์ฆ‰, ๋‚˜๋ฌด๋กœ ์ง€์–ด์กŒ๋‹ค๋ฉด ๋‚˜๋ฌด์˜ ํŠน์„ฑ์ด, ๋ชจ๋ž˜๋กœ ๋งŒ๋“ค์–ด์กŒ๋‹ค๋ฉด ๋ชจ๋ž˜์˜ ์„ฑ์งˆ์ด ๋“œ๋Ÿฌ๋‚˜์•ผ ํ•œ๋‹ค๊ณ  ์ฃผ์žฅํ–ˆ์Šต๋‹ˆ๋‹ค.

  • ์กด ๋ณผ์ผ์€ ๋ธŒ๋ฃจํƒˆ๋ฆฌ์ฆ˜์„ ๋‹จ์ˆœํ•œ ์Šคํƒ€์ผ์˜ ๋ถ„์„์œผ๋กœ๋Š” ์ดํ•ดํ•  ์ˆ˜ ์—†์œผ๋ฉฐ, ๋ฏธํ•™์ด ์•„๋‹Œ ์œค๋ฆฌ์  ์›์น™์œผ๋กœ ๋ฐ”๋ผ๋ด์•ผ ํ•œ๋‹ค๊ณ  ์ฃผ์žฅํ–ˆ์Šต๋‹ˆ๋‹ค.

  • ๋ธŒ๋ฃจํƒˆ๋ฆฌ์ฆ˜์˜ ์ด๋Ÿฌํ•œ ์ฒ ํ•™์  ์ ‘๊ทผ์€ ์‚ฌํšŒ์ฃผ์˜ ์ด๋…๊ณผ ๊นŠ์€ ์—ฐ๊ด€์„ฑ์„ ๋ณด์ž…๋‹ˆ๋‹ค. ์‹ค์ œ๋กœ ๋งŽ์€ ๋ธŒ๋ฃจํƒˆ๋ฆฌ์ฆ˜ ๊ฑด์ถ•๊ฐ€๋“ค์ด ์‚ฌํšŒ์ฃผ์˜ ์„ฑํ–ฅ์„ ๊ฐ€์ง€๊ณ  ์žˆ์—ˆ์œผ๋ฉฐ, ์ด๋“ค์€ ๊ฑด์ถ•๋ฌผ์˜ ๊ธฐ๋Šฅ์„ฑ๊ณผ ํ˜„๋Œ€ ์‚ถ์˜ ํ˜„์‹ค์„ฑ์„ ์กฐํ™”๋กญ๊ฒŒ ๊ฒฐํ•ฉํ•˜๊ณ ์ž ํ–ˆ์Šต๋‹ˆ๋‹ค.

๋ชจ๋”๋‹ˆ์ฆ˜๊ณผ์˜ ๊ด€๊ณ„

40s์˜ ๋ชจ๋”๋‹ˆ์ŠคํŠธ ์šด๋™์ด ์ถ”๊ตฌํ•˜๋˜ ํ–ฅ์ˆ˜์ ์ด๊ณ  ๋‚ญ๋งŒ์ ์ธ ๋ฏธํ•™ ์Šคํƒ€์ผ์— ๋Œ€ํ•œ ๊ฐ•๋ ฅํ•œ ๋ฐ˜๋ฐœ ์›€์ง์ž„์œผ๋กœ ํ•ด์„๋˜๋Š” ๊ฒฝ์šฐ๊ฐ€ ๋งŽ์Šต๋‹ˆ๋‹ค. ๋‹น์‹œ ๋ชจ๋”๋‹ˆ์ŠคํŠธ๋“ค์ด ์„ ํ˜ธํ•˜๋˜ ์šฐ์•„ํ•˜๊ณ  ์„ธ๋ จ๋œ ๋””์ž์ธ ์–ธ์–ด์™€๋Š” ๋Œ€์กฐ์ ์œผ๋กœ, ๋ธŒ๋ฃจํƒˆ๋ฆฌ์ฆ˜์€ ์˜๋„์ ์œผ๋กœ ๋‚ ๊ฒƒ์˜ ์žฌ๋ฃŒ์™€ ๊ฑฐ์นœ ์งˆ๊ฐ์„ ๊ฐ•์กฐํ–ˆ์Šต๋‹ˆ๋‹ค.

์šฉ์–ด์˜ ๊ธฐ์›

๋ธŒ๋ฃจํƒˆ๋ฆฌ์ฆ˜์ด๋ž€ ์šฉ์–ด๋Š” ์˜๊ตญ์˜ ๊ฑด์ถ•๊ฐ€ Alison and Peter Smithson๊ฐ€ ์ฒ˜์Œ์œผ๋กœ ์‚ฌ์šฉํ•˜๊ฒŒ ๋ฉ๋‹ˆ๋‹ค. ๋‹น์‹œ์—” new brutalism์œผ๋กœ ์†Œ๊ฐœ๋˜์—ˆ๋Š”๋ฐ, ์ด๋ฅผ ์ค„์—ฌ ๊ทธ๋ƒฅ ๋ธŒ๋ฃจํƒˆ๋ฆฌ์ฆ˜(brutalism)์ด๋ผ ๋ถ€๋ฅด๊ฒŒ ๋ฉ๋‹ˆ๋‹ค.

์ด๋“ค์€ Le Corbusier์˜ ๋ฒ ํ†ค ๋ธŒ๋ฃจํŠธ(beton brut)์—์„œ ํฐ ์˜๊ฐ์„ ๋ฐ›์•˜์œผ๋ฉฐ, ์ด๋ฅผ ๋”์šฑ ๋‚ ๊ฒƒ์˜ ํ˜•ํƒœ๋กœ ๋ฐœ์ „์‹œ์ผœ ๋‹จ์ˆœํ•œ ์žฅ์‹์  ๋ฏธํ•™์„ ๋„˜์–ด์„  ๊ฑด์ถ• ์ฒ ํ•™์œผ๋กœ ํ‘œํ˜„ํ•˜๊ณ ์ž ํ–ˆ์Šต๋‹ˆ๋‹ค.

Understanding with Socialism

์˜๊ตญ์—์„œ ๋ธŒ๋ฃจํƒˆ๋ฆฌ์ฆ˜์€ ์‹ค์šฉ์ ์ด๊ณ  ๊ฒฝ์ œ์ ์ธ ๊ณต๊ณต์ฃผํƒ ๋””์ž์ธ์œผ๋กœ ์ฑ„ํƒ๋˜์—ˆ์œผ๋ฉฐ, ์ด๋Š” ์‚ฌํšŒ์ฃผ์˜์  ์ด๋…๊ณผ ๊ฒฐํ•ฉํ•˜์—ฌ ์ „ ์„ธ๊ณ„๋กœ ํผ์ ธ๋‚˜๊ฐ”์Šต๋‹ˆ๋‹ค. ์ดํ›„ ๊ณต๊ณต๊ธฐ๊ด€์˜ ๋Œ€ํ‘œ์ ์ธ ๊ฑด์ถ• ์–‘์‹์œผ๋กœ ์ž๋ฆฌ์žก์•˜์ง€๋งŒ, ์ „์ฒด์ฃผ์˜์™€ ๋„์‹œ ์นจ์ฒด๋ฅผ ์ƒ์ง•ํ•˜๋Š” ๋ถ€์ •์  ์ด๋ฏธ์ง€๋กœ ์ธํ•ด 70s ์ดํ›„ ๊ธ‰๊ฒฉํžˆ ์‡ ํ‡ดํ–ˆ์Šต๋‹ˆ๋‹ค. ๋‹ค๋งŒ ์ผ๋ถ€ ์‚ฌํšŒ์ฃผ์˜ ๋ฐ ๊ณต์‚ฐ์ฃผ์˜ ๊ตญ๊ฐ€์—์„œ๋Š” ํ˜„์žฌ๊นŒ์ง€๋„ ๊ทธ ํ”์ ์„ ์ฐพ์•„๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.

๋ธŒ๋ฃจํƒˆ๋ฆฌ์ฆ˜์— ๋Œ€ํ•œ ์—ญ์‚ฌ์  ํ‰๊ฐ€๋Š” ๊ทน๋ช…ํ•˜๊ฒŒ ๋‚˜๋‰˜์—ˆ์œผ๋ฉฐ, ์ด ๊ฑด์ถ• ์–‘์‹์˜ ์ฐจ๊ฐ€์šด ์ธ์ƒ๊ณผ ์‚ฌํšŒ์ฃผ์˜์  ์„ฑํ–ฅ์œผ๋กœ ์ธํ•ด ์ผ๋ถ€ ์ง€์—ญ์—์„œ๋Š” ์‹œ๋ฏผ๋“ค์ด ๋ธŒ๋ฃจํƒˆ๋ฆฌ์ŠคํŠธ ๊ฑด๋ฌผ์˜ ์ฒ ๊ฑฐ๋ฅผ ์š”๊ตฌํ•˜๋Š” ์šด๋™์ด ์ผ์–ด๋‚˜๊ธฐ๋„ ํ–ˆ์Šต๋‹ˆ๋‹ค.

๊ธฐ์ˆ™์‚ฌ ๊ฑด์ถ• ๋””์ž์ธ์œผ๋กœ์จ์˜ ์ฑ„ํƒ

๋Œ€ํ•™๊ต์˜ ๊ธฐ์ˆ™์‚ฌ ๋””์ž์ธ์—๋„ ๋ธŒ๋ฃจํƒˆ๋ฆฌ์ฆ˜์ด ๋„๋ฆฌ ์ฑ„ํƒ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. ์˜๊ตญ์˜ ๋Œ€ํ•™๊ฐ€์—์„œ๋Š” ๋ธŒ๋ฃจํƒˆ๋ฆฌ์ŠคํŠธ ๊ฑด์ถ•๋ฌผ์„ ์‰ฝ๊ฒŒ ์ฐพ์•„๋ณผ ์ˆ˜ ์žˆ๋Š”๋ฐ, ํŠนํžˆ ์ผ€์ž„๋ธŒ๋ฆฟ์ง€์™€ ์˜ฅ์Šคํฌ๋“œ๊ฐ€ ๋Œ€ํ‘œ์ ์ž…๋‹ˆ๋‹ค. ์ด๋“ค ๊ฑด๋ฌผ์€ Leslie Martin, Colin St John Wilson, Alex Hardy๊ฐ€ ์„ค๊ณ„ํ–ˆ์Šต๋‹ˆ๋‹ค. 60-80s ์‚ฌ์ด์— ์ง€์–ด์ง„ ๋งŽ์€ ๋Œ€ํ•™ ๊ฑด๋ฌผ๋“ค๋„ ๋ธŒ๋ฃจํƒˆ๋ฆฌ์ŠคํŠธ ์–‘์‹์œผ๋กœ ์„ค๊ณ„๋˜์—ˆ์Šต๋‹ˆ๋‹ค.

In the 21st Century

๋ธŒ๋ฃจํƒˆ๋ฆฌ์ŠคํŠธ ์šด๋™์€ ๊ด‘๋ฒ”์œ„ํ•˜๊ฒŒ ์ผ์–ด๋‚˜ ํฐ ์˜ํ–ฅ์„ ์ฃผ์—ˆ์ง€๋งŒ 70s์— ์ด๋ฅด๋Ÿฌ ์‡ ํ‡ดํ•˜๊ธฐ ์‹œ์ž‘ํ–ˆ๊ณ , ํ•ด์ฒด์ฃผ์˜์™€ ๊ตฌ์กฐ์  ํ‘œํ˜„์ฃผ์˜๋กœ ๋ถ„ํŒŒ๋˜์—ˆ์Šต๋‹ˆ๋‹ค. 2015์—๋Š” Brutal London, Brutalist London Map, The Brutal World, SOS Brutalism: A Global Survey์˜ ์ถœํŒ์œผ๋กœ ๋ธŒ๋ฃจํƒˆ๋ฆฌ์ฆ˜์˜ ์žฌ์กฐ๋ช…์ด ์ด๋ฃจ์–ด์ง€๊ธฐ๋„ ํ–ˆ์Šต๋‹ˆ๋‹ค.

ํ˜„๋Œ€์˜ ๋ธŒ๋ฃจํƒˆ๋ฆฌ์ŠคํŠธ ๊ฑด์ถ•๋ฌผ์€ ์ „ํ†ต์ ์ธ ๋ฏธํ•™๋ณด๋‹ค ๋ถ€๋“œ๋Ÿฌ์šด ํ˜•ํƒœ๋ฅผ ๋ณด์ž…๋‹ˆ๋‹ค. ์˜ˆ๋ฅผ ๋“ค์–ด ๋…ธ์ถœ ์ฝ˜ํฌ๋ฆฌํŠธ ๋Œ€์‹  ์ƒŒ๋“œ๋ธ”๋ผ์ŠคํŠธ๋‚˜ ์น˜์žฅ ๋ฒฝํ† ๋ฅผ ํ™œ์šฉํ•ฉ๋‹ˆ๋‹ค. ์ด๋Ÿฌํ•œ ์š”์†Œ๋“ค์€ ๋‚ก์€ ๋ธŒ๋ฃจํƒˆ๋ฆฌ์ŠคํŠธ ๊ฑด์ถ•๋ฌผ์˜ ์žฌ๊ฑด์ถ• ๊ณผ์ •์—์„œ๋„ ์ž์ฃผ ์‚ฌ์šฉ๋˜๋Š”๋ฐ, Sheffield's Park Hill์ด ๋Œ€ํ‘œ์ ์ธ ์‚ฌ๋ก€์ž…๋‹ˆ๋‹ค. ๋‚  ์ฝ˜ํฌ๋ฆฌํŠธ๋ฅผ ์‚ฌ์šฉํ•˜๋Š” ๋ธŒ๋ฃจํƒˆ๋ฆฌ์ŠคํŠธ ๊ณ ์œ ์˜ ์ „ํ†ต์€ ์•„์ง๋„ ๋‚จ์•„ ์žˆ๋Š”๋ฐ ์ด๋Š” University of Essex์—์„œ ์ฐพ์•„ ๋ณผ ์ˆ˜ ์žˆ์Šต๋‹ˆ๋‹ค.

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